SUSAN OLIVER FULL
SUSAN OLIVER TV

Oliver’s film debut was in the 1957 independent drama The Green-Eyed Blonde, as the titular character known as, Green Eyes. She quickly appeared on some 50s staples like Father Knows Best and Bonanza.

SUSAN OLIVER TV

Oliver’s first television role was in 1955 on the live drama series, Goodyear TV Playhouse. Susan with her high cheekbones and rosebud lips was prominent in film and tv for 3 decades. We see the linkages and relationships and therefore search for better solutions.The Blue-Eyed Green-Eyed Girl YOUR CHEATIN’ HEART, Susan Oliver, 1964 / Everett Collection It is hard not to generalise – at their best, women are not fooled into thinking that the world is simple. What do you think women offer the built environment professions? What would you like to see more of from women? The built environment needs affordable, quality housing that supports society and the environment. I wish we could have taken Merchant Builders and its vision into the future. I have a big commitment to making the future a better place and supporting social justice and cohesion. However, I am proud of the person I am and the values that I practice and hopefully pass onto others. There are many achievements that I am proud of. What has been your proudest career achievement to date? Their names are Katya Crema, Angie Darby, Danielle Savio and Justine Hadj. I am working with a small group of graduates from the Faculty on an alumni group for women in architecture, building and planning (Women of ABP), and I am in awe of their commitment, organisation, and intelligence. Which female built environment professionals are currently inspiring you? I chair The Wheeler Centre and am a board member of the Melbourne Theatre Company and of the Melbourne Chamber Orchestra.

We have invested more than $7m in 13 start-ups. This is an angel investing network comprising mainly women and we invest in women-led start-ups. I chair scale investors which I co-founded in 2013. I am an independent member of the investment committee of Industry Funds Management, which has more than $100b in assets under management and is one of the very large investors in infrastructure in the world. I am a Fellow and Councillor of the Australian Institute of Company Directors. I have pursued a board career since my Transurban appointment and have served on listed and private companies over a period of more than 20 years. Following that period, I moved into senior government roles, then into the private sector in technology strategy. Working in Merchant Builders in the heady days with Professor David Yencken, Jan Faulkner and Kevin Greenhatch was amazing. I was appointed as Head of the Australian Commission for the Future and had the pleasure of working with Barry Jones, Nugget Coombs and Derek Denton.

SUSAN OLIVER FULL

I hit my head on glass ceilings as I tried to find a place where I could work at full stretch. Professor Leo Simon encouraged and supported me, his first female student, and wonderful women such as Blanche Merz, Elizabeth Caldicott and Helen Tippett, all of whom were firsts in their fields. While my peers were mostly men on graduation, I had supporters – some amazingly forward-thinking men and women.

Her career trajectory marks key moments in the recent history of Melbourne development – managing Victoria’s first urban renewal project in Emerald Hill working with Merchant Builders joining the board of Transurban in 1995 as the Citylink project was about to commence. In the 1970s Susan Oliver, ASX company director and tech investor, graduated with a Bachelor of Building into a deeply male-dominated industry.

Susan oliver